The follow-up to Susan Gloss’s successful debut, Vintage,is a charming mid-western story of artists, inspiration, and how to reinvent your life with purpose and flair.
Nell Parker has a PhD in Art History, a loving husband named Josh, and a Craftsman bungalow in the charming university town of Madison, Wisconsin. But in secret, Nell’s heart is still reeling from the tragic way in which they lost the one baby they managed to conceive. Rather than pausing to grieve, she pushes harder for testing and fertility treatments, hiding the high cost from her husband. Although he’s in the dark about their mounting debt, Josh urges Nell to apply for jobs, believing his wife needs something else to focus on other than a baby that may never be.
Finding a job turns out to be difficult for an art historian. . . until Nell sees the ad seeking a director for a new nonprofit called the Mansion Hill Artists’ Colony. The colony is the brainchild of the late, unconventional society dame Betsy Barrett, who left behind her vast fortune and a killer collection of modern art to establish an artist-in-residency program to be run out of her lakeside mansion. The executor of Betsy’s estate simply hands Nell a set of house keys and wishes her luck, leaving her to manage the mansion and the eccentric personalities of the artists who live there on her own.
Soon one of the artists, a young metal sculptor named Odin, is keeping the other residents awake with his late-night welding projects. Nell is pretty sure that Annie, a dreadlocked granny known for her avant garde performance pieces, is dealing drugs out of the basement “studio.” Meanwhile Paige, an art student from the university, takes up residence in the third-floor turret, experimenting with new printing and design techniques, as well as leading a string of bad boyfriends upstairs when she stumbles home late at night.
Despite all the drama, Nell finds something akin to a family among the members of the creative community that she’s brought together. And when her attraction to Odin begins to heat up, Nell is forced to decide what will bring her greater joy–the creative, inspired world she’s created, or the familiar but increasingly fragile one of her marriage.
Nell has struggled for years to get pregnant. This has left her drained and in deep debt, which she has kept hidden from her husband. When her last chance to become pregnant fails, Nell decides it is time to focus on something else. She takes a job as Director of Mansion Hill Artist’s Colony. This turns out to be a little more challenging than she expected.
I love the eccentric characters in this read. Paige is working on different painting techniques. She is also a little promiscuous, introverted and attached to her phone. Odin is a metal sculptor. He is very kind but he has an attraction to Nell. Then there is Annie. She is documenting the opioid crisis by photographing addicts. She is offering the addicts a little something on the side. All these artists together under one roof creates a unique environment for all involved.
I also enjoyed learning about the works of art scattered throughout the mansion. Betsy, the founder of the colony, amassed a large amount of eclectic art work. The author did a fabulous job weaving the history of these works into this story.
This uncommon mix of characters and this mansion as a backdrop really creates a delicious story. Get your copy today!
I received this novel from Tall Poppy Authors for a honest review.